(Reality is unpublishable)
When El Nacional published the very gruesome picture of the Caracas morgue in response to the cynical and hysterical laughs of Andres Izarra, President of Chavez’ pet international propaganda TV station Telesur, reactions were mixed. The comments section of this blog flared up with disparate positions. Curiously, my concern when I thought about whether to publish it or not in my blog, was that some may find it offensive. But this seemed to be the minority position. A larger fraction seemed more concerned with the publication of the picture backfiring against those that oppose Hugo Chavez (I am trying to differentiate them from the “opposition”)
But El Nacional’s picture, through the missteps of the Government, some cooperation from other media, and yes, some luck, has become the “in your face” picture seen around the world, that has revealed the lack of respect of Chavez and his cohorts for the right to life and freedom of the press. In fact, even VTV reporters have already spoken against the very clear act of censorship by the Judge who banned printed media from publishing violent pictures.
Things got complicated right off the bat, when, while you could still hear Izarra’s hyenic hysterics, a woman from Hong Kong’s team got shot by a stray bullet in the World Women’s Baseball tournament being played of all places at a Caracas military fort. As even the Vice-President tried to explain away this event as unusual, most Venezuelans who live in the barrios likely stared at their TV screens wondering where does Mr. Jaua live, as both specific purpose and stray bullets are part of the daily life of poor Venezuelans, where the strength of Chavismo happens to live.
On that same day, a bus filled with 69 campers was hijacked and all of their possessions stolen, as the 20 adults accompanying and protecting them also were forced to hand out their valuables.
The Government was caught off guard by theeffects of the “in your face” picture. As the picture went around the world, newspapers reported on the injunction on El Nacional not to publish similar pictures. The whole thing may have died there, but then Tal Cual also published the picture in its front page, accompanying its Editorial. The Government then also issued an injunction against Tal Cual, using the sensitivity of children as an excuse, but it began stumbling when a Judge then prohibited all printed media from printing violent, bloody or gruesome pictures.
It is unclear who or why the Judge ordered this, but his decision is so transparently political and cynical, that his order of censorship is only temporary, it expires in four weeks, as if the sensitivity of kids will harden a week before the upcoming National Assembly elections, just when campaigning ends.
And the significant impact of the “in your face” picture was such, that it forced Hugo Chavez to speak on the problem of crime and homicides for the first time, a subject he has consistently avoided and has always failed to address.
And the improvised response has been absolutely terrible and uninspired, for a Government well known for selling any explanation for its missteps, no matter how absurd they may be.
Because once again those living in the barrios will not buy the excuse that the criminals were raised during the IVth. Republic and that it is capitalistic desires that drive crime. Because each and everyone of the inhabitants of the barrios has been in contact with the crime, the deaths and the abuses, in the absence of a Government that has now been in power for eleven years. And it is precisely their desires to lead a better life that have been hampered by crime. Thus, blaming the messenger or calling the picture mediatic pornography, is very unlikely to sell well in the areas Catia or Caricuao, or in the mountains of Mérida.
140,000 people have been murdered in Venezuela since Chavez took power in 1999. Where have you been all these years Hugo? Its clear the Dictator no longer has the magic touch or is in touch with the people.
And meanwhile the cries of “Censorship” have also been heard around the world, as Oliver Stone and Sean Penn are probably wondering why the hell they had to make a defense of free speech being present in Venezuela. Being a Hollywood star makes no one an expert on democracy in far off lands.
And even the Investigative police and the Prosecutor act harshly, showing up at El Nacional at peak time, just as the newspaper is being composed, pretending to have 100 reporters and photographers leave the newspaper, so they can retrieve the memory card with the infamous picture to determine when it was taken. In the face of that crowd, already predisposed against them, and not ready to even consider obeying the order, the cops and the prosecutors decided not to create another show and simply left. Sans card!
Thus, thanks to Izarrita’s sordid and fake laugh and the picture, the Government, for once, has not been setting the agenda for the last few days, attempting to contain the effects of the picture. This distraction follows that of Pudreval, which has been forgotten only because of the “picture”, except that crime is more important an issue than food, more so among the poor.
And when Chavez says that in 20 years there will be no crime, it brings people back to the old promise of no kids in the streets in five years, a promise made 12 long years ago, as well as the promise of eliminating corruption, as the inhabitants of the barrios see their Chavista leadership move around with expensive cars and body guards, making them immune to the crime problem.
Which goes back to a post I wrote recently. I noted that Diego Arria and Alvarez Paz, had been more effective at challenging and making the Government react than the opposition, by confronting the Government with new issues or responding directly to the absurd arguments of the Chavistas.
The picture has been a wonderful example of that. It may have been unintended, but a Government with no scruples, used to winning every argument, has trapped itself in explaining away the problem that it has never cared about. And it was not ready for it.
In your face Hugo!